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Sotto in Su - S​ü​damerika Sept​.​90

by Sotto in Su

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Thomas Heberer - tp Alexander Tuchacek - synths Frank Schulte - samp, synths, tapes, records Reinhold Breuer - dr, perc Boris Hanzer - sound effects, recording Mastered By – Ansgar Ballhorn Photography By – Boris Hanzer, Frank Schulte, Uli Sigg
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about

"Diese Produktion von Sotto in Su kann mit all seinen zeitlichen Verweisen und atmosphärischen Erinnerungen als Reisebericht verstanden werden, aber ebenso als einfach berückend traumhafte Musik [...]. Es ist schwere, getragene Musik, die elektronische Künstlichkeit mit der Wärme des offenen Blicks verbindet. Irritierend schöne Musik der man nicht entkommen kann, wenn man sich erst einmal im Inneren befindet. Und die Türen öffnen sich erst, wenn der letzte Ton verklungen ist." (Konrad Heidkamp, Die Zeit, 05.06.1992)
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"This production by Sotto in Su [...] can be understood with all its temporal references and atmospheric memories as a travelogue, but also as simply enchanting dreamlike music [...] It is heavy, sustained music, the electronic artificiality with the warmth of the When you are inside, the doors open only when the last sound fades away. "Irritatingly beautiful music that you can not escape when you're inside." (Konrad Heidkamp, ​​Die Zeit, 05.06.1992)

Recorded live in Southamerica, September 1990

you can watch a live performance of Sotto in Su here: youtu.be/d2a_037VOG8

credits

released January 1, 1992

Thomas Heberer - tp
Alexander Tuchacek - synths
Frank Schulte - samp, synths, tapes, records
Reinhold Breuer - dr, perc
Boris Hanzer - sound effects, recording

Mastered By – Ansgar Ballhorn
Photography By – Boris Hanzer, Frank Schulte, Uli Sigg

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all rights reserved

tags

about

Frank Schulte Cologne, Germany

German sound creator Frank Schulte works in the fields of improvised music, new music, ambient, experimental electronics, develops expanded media performances and composes sound and music for theatre plays, movies and contemporary dance choreographies and develops intermedia installation for public spaces. ... more

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